A new feature – see links here:
Access abroad:
Bayeux Tapestry Museum, June 2014
Art and exhibitions:
Evolving English at the British Library, 2010
The English Prize: The Capture of the Westmorland, Ashmolean Museum, 2012
Vermeer and Music exhibition, summer 2013 (see also visit to the Ashmolean, 2012, for a brief note on Vermeer, and the Messiah, 2012, for use of period instruments)
Kurt Jackson: River, Horniman Museum, Christmas 2014
Magna Carta, Lincoln Castle, July 2015
Magna Carta through the Ages, Society of Antiquaries, July 2015
Magna Carta: Law, Liberty, Legacy, British Library, August 2015
Magna Carta exhibitions at Durham and Hereford, August-September 2015
Magna Carta exhibitions at Temple Church, London, and Worcester Cathedral, September and November 2015
Cinema:
The Artist, film, 2012 – a silent film seen by someone who can now hear
Music for Deaf People:
The Farmer’s Cheese, 2010 – a musical for children with cochlear implants
The Angry Planet, Prom 30, Royal Albert Hall, 2012 – sign-interpreted
Capella Duriensis, Bristol Cathedral, 2012 – an example of musicality through beautiful phrasing
Cochlear Implant Music Workshop, Richard Reed, 2012
Handel: Messiah, BBC National Orchestra and Chorus of Wales, 2012 – sign-interpreted, use of period instruments
Television:
RSC Live: Shakespeare 400, April 2016, BBC2 – subtitles (or lack thereof)
Theatre:
The Railway Children, Waterloo Station, 2010 – captioned by Stagetext
The Iron Man, Graeae, 2011 – an example of accessibility through integrated theatre
The Good, the Bad, and the Ugly: examples of good and not-so-good examples of accessibility to performance in practice, published 2013, but looking at various dates over the years (specific mentions of good practice with their own mentions, above)
